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By the 1940s, cover versions of African-American songs were commonplace, and frequently topped the charts, while the original musicians found success among their African-American audience, but not in mainstream. In 1955, Thurman Ruth persuaded a gospel group to sing in a secular setting, the Apollo Theater, with such success that he subsequently arranged gospel caravans that traveled around the country, playing the same venues that rhythm and blues singers had popularized. Meanwhile, jazz performers began to push jazz away from a danceable popular music towards more intricate arrangements, improvisation, and technically challenging forms, culminating in the bebop of Charlie Parker, Dizzy Gillespie, the cool sounds and modal jazz of Miles Davis, and the free jazz of Ornette Coleman and John Coltrane.

African Americans in the 1940s and 1950s were developing an outgrowth of rhythm and blues into a genre called rock and roll, which featured a very strong backbeat and whose prominent exponents included Louis Jordan and Wynonie Harris. However, it was with white musicians such as Bill Haley and Elvis Presley, playing a guitar-based fusion of black rock and roll with country music called rockabilly, that rock music became commercially appealing. Rock music thereafter became more associated with white people, though it did give some black performers such as Chuck Berry and Bo Diddley, a high level of commercial success.

Patrick McCarty studied under the great French philosopher Jacques Derrida and worked as an academic for 25 years. Today, he is a professional writer (over one hundred titles to his credit) and the host of ICG/CNN Radio, where he dialogues with the central innovators, writers, artists and thinkers of the 21st century. McCarty has also served as writer for VP Joe Biden and the DNC. For more information concerning him or his works and for extensive samples, see insightcommunicationsglobal.org. "Excellent. Wonderful Book!" --Corky Ballas (father of Mark Ballas, Derek and Julianne Hough) of Dancing with the Stars “McCarty is a formidable intellect and creative talent.” —Adriaan Peperzak, Stanford University “I find Patrick’s insights and powers of imagination unprecedented, often nearly prophetic.” —C. Payne Lucas, Africare Founder “McCarty belongs to a short list of people who can combine literature and philosophic penetration to this depth.” —Stanley Corngold, Princeton University “Patrick is without doubt an extraordinary talent.” -

Audio Recordings:

Globalization: From Milton Friedman to Jeffrey Sachs, A Raw Deal

The Nietzsche Debate: Walter Kaufmann, Paul de Man, Jacques Derrida, Stanley Corngold and Patrick McCarty

The Narcissism Epidemic with Dr. W. Keith Campbell

The Day They Killed Martin Luther King and the Night James Brown Saved Boston

The Happiness of Nations: Gross National Happiness

Kafka's The Trial with Dr. Stanley Corngold, Princeton

Sex Unlimited with Sexologist Charley Ferrer

Sudan: History's Slaughter Bench

Bruce Springsteen, E-Street & Tragedy at the Upstage Club (1969-1971)

No Ordinary Recession (2007-2015)

The Psychology of Friendship: What Attracts Us to Each Other

Lionel Trilling, Paul de Man, Jacques Derrida as Remembered by a Great American Scholar, Stanley Corngold of Princeton

The Cognitive Superiority of the Many Over the Few: The Empirical Case for Democracy

Reclaiming the Promise of America: A Panel Discussion

Dancing with the Stars: Behind the Scenes with Corky Ballas

The Story of a Child Raised by Fugitives in a Ghost Town

The Bronte Sisters

Wuthering Heights, Yesterday and Today: A Voice Yet Rings in the Moors

Revolutionary Change in America Today: All-Star Panel Discussion

The Wisdom of the Crowd: The Epistemic Case for Democracy

Crisis Capitalism: The System That Runs on Destruction

1933, The Darkest Year & FDR

Alternatives for Institutional Renewal in America

  • Sales Rank: #2222373 in eBooks
  • Published on: 2015-08-11
  • Released on: 2015-08-11
  • Format: Kindle eBook

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