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It’s Atlanta’s senior year of high school, and she is officially infamous. Not only has she saved herself from a predator, brought down an untouchable dogfighting ring, and battled a pack of high-school bullies, but she’s also proclaimed to the Internet her willingness to fight for anyone who needs help. And Atlanta can’t believe what’s coming out of the woodwork. From an old friend to a troop of troubled girls with connections to a local fracking company, there’s definitely fire in the water. As always, the girl with the unforgettable name is not afraid to burn it all down if it means making things right. But as high school races toward its inevitable end and the hornets begin to swarm from all directions, Atlanta must decide how much of herself and her growing group of friends she is willing to risk…before it’s too late.
- Sales Rank: #308397 in eBooks
- Published on: 2016-02-09
- Released on: 2016-02-09
- Format: Kindle eBook
About the Author
Chuck Wendig is the author of The Heartland Trilogy and the Atlanta Burns series for young adults, as well as numerous novels for adults, including Star Wars: Aftermath and the popular Miriam Black series. He is also a game designer and screenwriter. He cowrote the short film Pandemic, the feature film HiM, and the Emmy-nominated digital narrative Collapsus. Chuck lives in “Pennsyltucky” with his family. He blogs at www.terribleminds.com.
Most helpful customer reviews
2 of 2 people found the following review helpful.
John Hughes meets Hobo With A Shotgun
By A. Rose
She shot off a pedophile's parts, she shot down a white supremacist, she shut down a dogfighting ring - Atlanta Burns is at it again, this time going after a trafficking ring hidden in plain sight. After all, who would expect a multi-billion-dollar fracking corporation, all set to offer good jobs and boost the local economy while also miraculously helping the environment, to be selling gambling and drugged, underage girls on the side?
Yeah, subtlety has never been high on this series' list of priorities. But honestly, it's not much missed. This is a story about Atlanta Burns, the hard-and-hot-headed girl with the shotgun, whose personal demons (that more modern readers might recognize as symptoms of PTSD) are only silenced through vengeance-seeking, and whose rising infamy is only matched by the loyalty of those members of underprivileged classes that she's helped.
Burns is a compelling character, richly and realistically drawn, full of contradictory desires and fears and drives. Her friends are somewhat less detailed, due in large part to Atlanta's hogging the spotlight, and her enemies are practically one-dimensional. But in a way this works to the story's advantage; this is primarily a story about Atlanta's psyche, and like most teenagers, she's so caught up in being the star of her own personal drama as to be more than a little blind to the fact that others might have their own perspectives.
All of that said...there's been a certain tonal discontinuity growing throughout this series. Atlanta's origins are of two very different genres: teen angst and grindhouse, John Hughes meets Hobo With A Shotgun. And while the two mesh gloriously when she's defending underprivileged classmates or fighting for her life against a corrupt corporation, they diverge rapidly in the denouement. The whole premise of grindhouse, after all, is that the world sucks and everything is horrible and the best any one person can do is blow it all away before whatever awfulness sucks them down the drain as well. Teen angst, on the other hand, trends towards happier endings, or at least more hopeful ones. The offspring of the two has so far led to a somewhat simplistic-feeling world that Atlanta lives in: she goes out and delivers her shotgun justice, the bad guys are dead or in jail, there's no one left to sue her for damages or to enact less legal methods of bringing the cycle of vengeance down upon her flame-red head.
On the other hand, this appearance of simplicity may well be attributed to her young age - children are protected by the law far more than adults, and one authority figure strongly hints to Atlanta that her get-out-of-jail-free days are limited, which should make the next book (where she'll have reached her age of majority) somewhat more interesting on this front. And in the meantime, we can hope she enjoys the opportunities to rebuild relationships - with her friends, with her mother, perhaps even with her mother's latest boyfriend - that so many of her spiritual ancestors were denied.
2 of 2 people found the following review helpful.
A familiar return to a great character.
By Jared W. Cooper
I completely forgot this book was being released today. But this morning, there it was on my Kindle, and by 4PM, the whole thing was gone.
The first Atlanta Burns book was my introduction to Wendig's prose, after being a fan of his blog for some time. This series is not just a great mystery or great YA (both genres I have a hard time finding good examples of), it's just a good read. It deals with heavy themes of sexual assault, crime, underdogs struggling against people in power. It sends strong messages: You matter. It's not your fault. You don't owe your identity to anyone but yourself. It's not the most glamorous of settings in backwoods Pennsylvania, where fracking ruins the water and rich white jerks hold sway. Where you can't trust the adults who prey on the weak, and can't depend on their victims to be strong enough to defend themselves.
Enter Atlanta Burns, with the great name and the squirrel gun. She mouths off, the does wonderfully unwise things, she propels the plot forward. She's the highschooler doing what wish you'd have done to get back at bullies. She's surrounded by great friends and complicated, realistic adults both good and bad. There are some saintly people, some truly nasty people, and a lot of refreshingly layered minor characters. It's also good to see some of the genre staples subverted, at times. Why doesn't the plucky heroine call the police or ask the adults for help or do the sensible thing? Well, she does, and if not, there's something of a reason for it.
My complaints about THE HUNT are few. The book follows a similar structure as the first novel in terms of plot setup and conclusion. I also would have liked it to hammer home the aforementioned themes a little harder, but that's a personal call. And I would have liked to see more of those minor characters, since Atlanta just devours every scene she's in. The climax and ending of this one felt a bit abrupt, and I wanted that narrative camera to linger a little longer.
Even so, I like the series a lot, and if you're an aspiring writer who follows Wendig's blog, it's always great to see his advice put to form.
1 of 1 people found the following review helpful.
Frag You!
By OutlawPoet
As I write this review, I notice that the book is available for free on KU. I paid for it and it was worth every penny. But for god's sake if you have KU, take advantage of it and get this book now!
The Hunt is the 2nd book in the Atlanta Burns series and it's just as fantastic as the first one. In this one, Atlanta is at her butt kicking best. Yet again, she faces down some of the darkest of humanity and does it with attitude.
In The Hunt, Wendig tugs our heartstrings, letting us hope that things are going to work out and it will be sunshine and roses. But even as we read, we know that Atlanta's world just doesn't work that way. When righteous retribution is in order, Atlanta is our girl.
The characters are multi-faceted and even a particular villain gets infinitely more interesting. I'm hoping this one shows up in a future book!
This is a fast, violent, and satisfying read. I want more!
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